In the square of the Palazzo Vecchio
Piccioni bob their wild heads
past a tired tour guide – throat sore
voice hoarse, thinking back
to the Gentileschi room. It was her
again, with her sharp words
She took my interpretation,
of calm determination, by the head
and sawed it off.
Just exactly how did she know that?
The way blood pools and flows?
She must have had much practice…
He bows his head by Cellini’s medusa
and turns to stone
RUST & SILT
(After Tristan and Iseult)
The darkness opened
And small iron filings poured to the granite floor
among the blood. His cries scraped through the air
shattered marks in the slate cliffs
later mistaken for runes
names
cold in the rock.
The sea watched, and felt nothing.
Greening waves in the depths
The great stone-work shifting of leviathans
moved in her like neurons, twisting
up into a bundle of gravity –
moon had left long ago, the sea
was flat and had no hopes or goals.
rust-mother looked on his face
and its platings, hammered, forged in the womb-forge
and smiled and tears broke on her lids
as waves crashed on dark cliffs
and she passed into darkness as through
a sharp internal pain draining presence
or walking into a sun-warmed bedroom –
rust was left in the cold-cornish air
a patina shining on his iron body
began to write with the oxygen of the air
the lay of his life – already peeling
his eyes were squeaking
as he blinked and squinted.
* * * Continue reading
Abode
A response to Philip Larkin
I try not to work too much, and don’t drink.
Stretching, I wake to the rustling dark –
to dawn seeping in through the brink
of the window, and the dog’s bark –
It’s then I see what’s really always there;
light streaming in through the misting air
absolving me of days that never quite start;
fallen empires grown thick with weeds,
a knowing smile at capricious needs
and under it all, my whispering heart.
The mind ceases to glare. Not through fear –
some good done, some love given, time
lined up like a jigsaw – here
missing a piece or two, but it’s fine;
there are more puzzles to do, that’s for sure,
while the stars play out their grand impure
drama, which can be a mess –
all scattered across the endless black
that brought us here, and can take us back;
Chaos can stand such a diffident dress.
There is a peculiar way of letting go –
The smile as a cure – like Gautama’s –
who tells of all deaths we ever could know
and did so to teach us: be calmer.
‘They have seen the Way, like a flash of lightning
in the night’ – now that’s enlightening.
Just relax – no sound, no sight
No touch or taste or smell, no mind
everything collapsing into the void
which we are, and are again, every night.
So. You can only learn so much from death.
You can dream about it, sure, but let it go.
It gets easier all the time. And as for the rest –
The sun will rise. This we can know.
Doesn’t it betray the poet and child
in the morning to sit in stunned and wild
silence, hands clasped in black prayer,
and think this shows some clean truth?
Give me a break. Death is no forbidden fruit
and your whining might just hasten you there.
(Interesting to see that you have no thought
For the deaths of your friends and those you love
as well you ought to
in those dark mornings. Let’s forgive
this self-regard. We know there is space
for all kinds of death; the shadow face
you held up as a simple, clarified skull
is a Janus. And on the other side
is a face of a mother, perhaps, with a soft smile
who takes leave from the world and leaves it full.)
David Oluwale
Q. Two things were offered to the river: a statue – and a man. For which do you think England grieved the most?
A. St Geórgios will rise from the Aire with David, cos a martyr knows a martyr
Q. Take five smooth stones from the river bed, which formed a pillow for his head. Take five stones, and then?
A. Somewhere goliath is waiting
Q. And on the Headrow the trees of Sherwood forest sway with their shadows. Who is the avenger stalking among them?
A. A bow and arrow are rising
Reading: Dandelions by Thea Lenarduzzi
“Behind the teller’s choices, conscious or otherwise, lies some kind of motivation, whether to entertain, to store for posterity, or to promote a particular image of herself” – Dandelions
The Book: A family biography of Thea Lenarduzzi’s family. Family within its various semantic fields; shifting from Italy to England, the family of mother and fatherlands. Grandmother centred in the field of view, with a focus shifting backwards and forwards in time and bringing sons, fathers, daughters, mothers into view. Or is that too clear a metaphor? There are no photos in the book, though there are photographers, and this nebulises the book, makes image blend into image in my head. Each image blends with images of the ‘old’, from other, flicked through, books.
Continue readingAphorisms XXIX
Why do we hold unalloyed engagement with a show, an act, to be the most valuable form of engagement? Especially when the matter of the art is smooth and brushes at the attention with a feather.
If you do things with your phone, to engage, it can result in a deeper engagement with the matter of the art. To make pictures while you listen to the jazz. To read the mythology in the background of a painting (here to simply look is to completely ignore the painting.) To play the videogame.
To call your friend and have them hear the music through the phone. Rather than sit, absorbed, where you will forget to be with the art, and instead just watch it. Often the alloy, hardly the element.
*
Continue readingA Silent Coaching
To be better feels like being a rose, opening
under the moon, a cut rose in a vase.
I want to feel like that rose, in our house –
It is an issue for me, it is unclear why –
this flower. I am involved, we are involved,
in each day, plumping ourselves like a bouquet.
The key feature is this – the satin petal,
curving, and of course the thorns.
I assume so much each hour, I cannot move
but for assuming – If anything, I have sat
in quiet rooms, making plans for transformations
that would impact me later, my feet in the water,
my head opening, giving me more options
for living – like absorbing the air through my skin,
and making a painting.
I might just sit here for an eternity,
playing videogames with my friends –
or I might eat a peach ice cream.
I would build a world more just, and expand
into intergalactic space, a rose, orbiting these suns.
My friend would do this better – don’t I know it.
On a scale, these options are as practical,
as ever anything was practical – a bee
climbs into a flower, brushing pollen on its legs –
that is practical. No, I will sit in my vase,
dropping petals. Specifically, I will wilt.
Support me in this, support me
by allowing me to be away from you. Know
that I love you even as I go into the other room.
There is no deadline for this – there is only
the living root line which knots around us, finally.
I will take a step out of the door, know I will return,
later, with flowers which you may cut and vase,
before we arrange and eat our lunch.
V.137
Ends are lamps, like things in the fog
like dust clouds birthing new stars – no –
like lamps in the fog, with cut-glass;
spiderwebs in the lead-lined vents…
O friends, there is no end. Missiles
rain on my friends, there will be no
end. Just think of the desert life
vanished in the trinity test:
There is no end. Things just transform.
A paper plane flown over fields
into the lithium furnace.
Batteries to recharge and change.
Decay. Cycle again, but end?
Pages turn, like brown leaves, become
paths – monotype of the footstep –
lamps receding into the fog.
Everything’s but a pile, my friends.
A pile of such delicate mould.
Such delicate, beautiful mould.
I grow old, and softer, and old.
An end is time’s crisping edge, no –
it’s every line, every letter
An end repeats what’s never past –
An end is something just like this:
Aphorisms XXVIII
Condescension of Revolution – It is so easy when you look at what such an upheaval costs, first, in violent reaction and, then, the counter reaction which tends to follow. But when a political arrangement will not change, has no inbuilt manner through which to change it to make it more democratic – when the tantrums of imperial powers set their unwieldy mass behind autocracy and freely exercise and defend their monopoly on violence – then what else is there left to do? As the gridlock tightens, as reaction tightens, the temptation grows and grows…
And when democratic revolution can be undertaken peacefully, for the most part, the arguments against it are dulled to a whisper.
What am I saying here? I’m saying that there is space for a democratic revolution even in a nominally democratic system, a system which bears traces of democracy already.
*
Continue reading
V.136
The house was on a steep. The sun
was belly button of the sky –
hot head, the red light of my blood
pearled with bright neuronal pearling.
They were shouting, I could hear it
from upstairs. There is so much love
in an exasperated scream.
In a textured chocolate croissant.
Sleep will take me soon and collapse
lose pertinence. After such days,
brimming call-centres of the heat
enrich my dreams. Hello you’re through –
Oh Sam, I know you’ve lost so much
and words are not the kind of thing
that can change our minds – but sometimes
I try to try – you were captain.
Life is a penguin, no life is
penguin egg cracked and just sizzling
on a cast iron pan. Oceans
shifted and took your ship out south.
I was stranded, you said, in cold
and night that lasted months. A light
on my far sailboat caught your eye –
you look up from your fire, and cry
Absolute|Unrest 