Judith Beheading Holophernes

In the square of the Palazzo Vecchio
Piccioni bob their wild heads
past a tired tour guide – throat sore
voice hoarse, thinking back
to the Gentileschi room. It was her
again, with her sharp words
She took my interpretation,
of calm determination, by the head
and sawed it off.
Just exactly how did she know that?
The way blood pools and flows?
She must have had much practice…
He bows his head by Cellini’s medusa
and turns to stone

Three Poems after Amelia Humber

Goss

After Amelia Humber

The tongue of the cosmos mouth
drags its mist along the pond –
many eyes of the coral
or barnacle prayers impact
with a soft white thud and cloud
on the world’s hill – and deeper
the deep ink behind things seeps.

I stand in the softened copse
of the shore – rain drenched but warm
unnamed white flowers blow here
amongst the heather – their heads
bob and jump in the quantum
breeze – where I once might have thought
I now dwell with the land’s power

*

Coopers

After Amelia Humber

Strobe lights over the shallows.
The marsh flows, hardly, but still
it flows here with the thin grass
so thin and black, it’s like hair.
A magnesium surface
and water, as the flock-spheres
make their debris way through air.
In the mist there are things now
things you never wanted but
were offered for your viewing –
a procession of faceless
saints, a small black sheep hovers
legless, only seen in dark,
an entirely different sky

*

Point

After Amelia Humber

With a faint humming, negate
the sky as an unreached space
(a space we can hardly grasp)
and split open a vault – to
the dark above the grave pit
ridden with frost and snowlit
pourings – through this chasm tear
see the world as it could be
bare of all ground, all solids
floating in nothingness – then
between abyss and abyss
as it sees you – iris
vaster even than god’s eye
and the pupil that screams ‘live’

*

Painting credit to https://www.ameliahumber.com/