The Letting go of Crow

Crow sits across from me in the courtroom
Black feathers litter the ground, float
Upon the mahogany boards.

Arraigned by the universe, he is bound
To try some of the old tricks – but Dove
His opposite and cancellation, now

Stands and with a sigh, coos and points
On the projector the dead body of a horse
Whose beautiful and terrible hooves

Are tied. “Did you create this nightmare?”
Crow’s mouth opens, and out pour stars
Books, portents. Series of things fleeing.

Crows feathers bunch up into fists
Little tight handfuls of blackness.
He parrots back “Nightmare, nightmare”

Dove sighs again, changes the slide.
A schedule for housework – “are these
Your claw marks but I see…

Crow your name does not appear.
Do you think a horse deserves
This kind of torture” Oh bright dove.

By this point all Crow’s feathers
Are out. He’s a plucked little terror.
Dove just looks sad. “Sweep that up please.”

They begin working. While Crow is croaking
“I’m god’s nightmare. god’s. I am violent…”
But it’s too late. I’m leaving,

Walking past the curled up
Wormlike bird on the stand, and out,
I drop my copy of the book in the dullness,

hold open the door and Dove walks with.
Her feathers’ pearlescence gallops across.
We talk about her day, and I make her tea.

Nuptial Flight

We talked for a while and then
I breathed you in, by accident
and like an insect you got lodged
in my throat – I had to swallow
repeatedly to even take stock
of the situation – how your oil
black hair was limp in the heat
and its one colour rainbow sheen
of sun coated me with a sweat.
I digested your little carapace
and now I twitch like a dry
and dying wasp in the porch…
Frankly, my dear, I would most love
to sting you but I am waxy –
look what you’ve brought us to
with your callow disregard
of how you fill the air, and land
in droves on my shirt – cracked
and uneven paving stones are no
solace – get off me, get off, get off.

On Ulysses

The voices are everywhere. There
They are crawling from the dead
Floater in the bay and taking flight.

The wet walls and eaves are speaking
Can you not hear them – again, it’s happening;
Damp mortar discourses on ibn sinna.

Each wave is its own word
And they pile upon pile upon pile –
we drown in the snotgreen sea

Where a deep priest and thousand-fold choir
Speak tongues to discourage the wanderer
unwilling to take a breath and stay.

Republican

The deep-house beats fall
From the window – hit
sunbeams combing the heat
Fall down simmering streets

It’s royal wedding day – but I
Can only focus on this
bunch of dead flowers
Strapped to a lamp-post

The cellophane wrap flutters
Around the dry remnants
Framed by estates and hills
And glints from windscreens

I’m not saying something,
Shocked by the light’s irradiacy
The faintly dissonant organ
Of which echoes softly pour

Write What You Know

“It rests on the assumption that a particular linguistic community is the best artisan of its own language, or even its own mythology, which is a vast overestimation of the value of experience, or rather an extreme strengthening of the principle that language grows precisely out of experience, rather like regular crystals forming in a puddle of salt. In fact it is much more messy.” – The Ghost of Ludwig Wittgenstein

“If we tried to philosophise only what we knew, we would be pre-empting failure by giving up philosophy before we even began” – Anti-Russell

“A surfer does not surf, instead they ride waves which are so unique, they will never occur again in the history of the universe” – Surfer on a Late Night Rerun of The Tide

Hang on a second, go back.
your captains name wasn’t Ahab?
Don’t tell me
What about the shark sermon?
Give it up old boy
Let me say why not make all your characters
You with a moustache and glasses?
Call them Melville
What do you mean they all survived?
I thought I alone escaped?
Scrap it – instead why not write
About sitting down to write?
And all those little ideas you have.
Best to keep it little –
Replace the white what
With your cat, little Moby here
And of the problems of fur on clothing
Write revenges of tiny majesty

But hang on a sec. Again
But your cat does so much without you
Better to avoid such difficult subjects
As it stalks apt nouns in the fields
Better to talk about this chair, this table
Are you feeling quite up to it?
A table is a difficult subject
I met a man once who wrote a whole
Book on it
It was called ‘The Point of Pure Intelligence
Hovers in a Blank Space Slightly Too Close
To The Dim Screen, Typing –
The Adventures of Said Table’
It was okay if you like that sort of
Table. But hang on

A second where was this beauty made?
Oh dear.
I’m fast becoming a flat plain
Free of everything – is it not liberating?
Almost pure prose, pure purpose – but not quite, yet
Aha! Let me ask you, writer
Can your pen bend round end to end
To write upon itself?
If not then we are really in trouble.
Better to just start scribbling, quickly
Quickly
Before anything else disappe

2, 7×7, Music

Music flattens all nuance
in the word-play – or draws out
meaning in simple rhythm.
Each step of the insect foot
on the dry grass blade is void
and thoughts collapse – ancient stars
you hand me your cold beer and

confused, I count syllables
on my fingers instead of
offering up applause – flat
claps to reward the groove, gone
replaced by a strange avant-garde
thanks. I hand you back your cup.
Galaxies spark on your cheek.