Does any animal float as well?
Resting on this peel of thickness
pedalling slowly, and honking
Duck taught the angels
how to fly – see them now
by the barrage, watching for tips –
just put your face in your armpit
and hang there, careless –
that is how to go about it.
Lessons such as that.
And how to remain calm
in the face of such rain
After duck stands up, wrings out his coat
he waves to the angels, who nod abashed
and calmly floats off into the sky
Unbelievable. Words are meant for pages,
not to echo over the fields behind houses
disturbing the moths in their evening light.
Words are meant only for games
and this is not a game. I said stop.
You need to speak now, we’re here.
I’m here, you’re here, we’re here.
What are we playing at? What just happened?
We had an ice-cream together
and it was like the last ice-cream piece
of the ice cream puzzle. But it’s gone.
We were like two intercity kiloton trains
that missed the crash we could have been.
Ignorant that all of us crash, it’s life.
But our verdict is not stayed by vague gestures.
You are like the frame of everything;
I’m like your cracked painting.
And you’re mine. You’re my painting,
my nude by Georges Braque, a person,
but unlike any person they know.
I could never have said this ’til now,
it’s like someone is speaking through me,
my voice is no longer my own,
so I’m going to take this chance to say
I love you, M, I’ve said it before.
But I don’t think we ever got through
to a precise entailment of that statement.
You are the thorn in my side that I need.
You are the constant pain that lets me know I’m alive.
Or am I that to you? I’ve lost track. But that’s it;
If they tried to unweave me from this world,
they’d have to take you too, otherwise
what’s left would not make sense.
You’re like the light by which I am seen.
Without you I am not me.
We evolve together like the beetle and magnolia,
But who is which, changes.
Stop, let me make you a statue to yourself.
Let me be your pedestal. Let us hold us.
Stop, let me punch your enemies in the nose,
and redeem all your relations.
Let me become something that we become together
Let us realise that we become together.
Stop, let’s lie down here in our hole, our glass sphere
And work through everything in glorious variations
of sex, like we were carved by the ancients.
Things are going wrong all the time
And we aren’t owning it. Let us own it.
When we are hurt, we are the uneasy angel,
making uncertain vows to save us.
Now Editor, Stop. Allow us this
Of course things happen in unlikely ways,
Let’s not be melodramatic about it.
Leave the future to those who live there.
We are our fate.
Eth was a dreamweaver, one who could leave her body and step across the stars, in Louise Lawrence’s 1998 young adult novel, Dreamweaver. I read it when sometime between the ages of 8-10, and Eth has stuck with me ever since.
Red girl – and I mean girl, for I
was young and could only begin
to imagine you – red dream girl
projecting yourself into me
from the page, but also across
galaxies, to warn me not to come –
You were held in supple halos
of redness. Your smooth hair was long
and now I see it in the hair
of my friend, who is a bullet of
a woman. I see your hair light
until all the hair I now know
or once knew began in this thought.
I remember you so vaguely –
you are the first friend who I lost
and the first one to draw from me
the structures of love. I was young
and now I am young again. Old
is the way you recur to me.
I half expect god to return
in your form. I sat with the books
on the blue grey carpet, felt it
drain the blood from my palm leaving
the impression of weave, and you.
Did my teacher remark at this
sudden silence brought on? Sighing,
I remember you. Please come back