Abode

A response to Philip Larkin

I try not to work too much, and don’t drink.
Stretching, I wake to the rustling dark –
to dawn seeping in through the brink
of the window, and the dog’s bark –
It’s then I see what’s really always there;
light streaming in through the misting air
absolving me of days that never quite start;
fallen empires grown thick with weeds,
a knowing smile at capricious needs
and under it all, my whispering heart.

The mind ceases to glare. Not through fear –
some good done, some love given, time
lined up like a jigsaw – here
missing a piece or two, but it’s fine;
there are more puzzles to do, that’s for sure,
while the stars play out their grand impure
drama, which can be a mess –
all scattered across the endless black
that brought us here, and can take us back;
Chaos can stand such a diffident dress.

There is a peculiar way of letting go –
The smile as a cure – like Gautama’s –
who tells of all deaths we ever could know
and did so to teach us: be calmer.
They have seen the Way, like a flash of lightning
in the night’ – now that’s enlightening.
Just relax – no sound, no sight
No touch or taste or smell, no mind
everything collapsing into the void
which we are, and are again, every night.

So. You can only learn so much from death.
You can dream about it, sure, but let it go.
It gets easier all the time. And as for the rest –
The sun will rise. This we can know.
Doesn’t it betray the poet and child
in the morning to sit in stunned and wild
silence, hands clasped in black prayer,
and think this shows some clean truth?
Give me a break. Death is no forbidden fruit
and your whining might just hasten you there.

(Interesting to see that you have no thought
For the deaths of your friends and those you love
as well you ought to
in those dark mornings. Let’s forgive
this self-regard. We know there is space
for all kinds of death; the shadow face
you held up as a simple, clarified skull
is a Janus. And on the other side
is a face of a mother, perhaps, with a soft smile
who takes leave from the world and leaves it full.)

Metaphysick for the Tyrant

The picture shows the bottom of an ocean rift. Small lumps of mud or sand rest in focus in the centre and the rest is darkness.

This you?

*

Nihil of the world, ash and vibration in puddles of ash – your obelisks crushed
and sprinkled onto the beach for the sand to grasp and wipe.
Dog tags from the dead laid at your door will outlast you, scab of the world,
that architectonic of your emptiness, that emptiness of your nothingness, only delays
the time when the void will have its way with you in the way it will have all things –
your propaganda fails as it attempts to invent a face for a man who has no face.
And had you never existed, joy may still have lacked
but at least we wouldn’t have been forced to cope with your voice.
You are the white noise of the state, and entirely unnovel. Here is an overused phrase:
Forces you commanded lie sprawled by waves that liquefied their brains, and you
call meetings in vast halls and have others take the photos. Can you feel the plot?
All it would take for the world to forget you would be one shot from behind you
which would pass through the front of the skull and cause such blooms of flowers
to sprout immediately on the mahogany table perhaps inherited from a ship –
and from that same blood beautiful crystals would rise to melt the empire.
Those history enshrines, their people loved and white crabs tend to a vent in the blackness

*

The war stops. There is nothing else it can do when the soldiers have melted
Panting, you swim back and forth in a reactor pool, treading water –
glowing blue, you rest your collapsing ruins in the ruined body of the plant –
the sound of swan lake echoing through the corridors, over old tannoys –
over the sound of dripping water you breathe your last, while fireworks rear outside
as insects and raised dust whirl like a cloud of starlings above the forest clearing
Let us hold ourselves carefully and cause no vessels to rupture in innocent heads –
the void crackling across the years like glass on a car park floor, and more –
the sound of laughter like a morning chorus of birds being let out of a basement
There is much to think of in the slow walk in the dark back to the old bus
Even the smallest of our days like popcorn kernels that turn in the microwave
and conjure gunfire, or rubble falling from the roof until inside the pack a bomb
goes off and takes out the whole kitchen, leaving a cat yeowling in the rubble
What you destroy in emotion in the concrete city, all of it outweighs you
If even a small blackbird were caught in the crossfire, that would condemn you

*

May peace envelop you and absolve you and wipe you from the world, as quick
as bumping your head on the mantle as you stand up from the fireplace
causing a statue to fall in the desert and the wind to call – ozymandias –
Abel’s missile launcher smoking as Cain’s tank plinks cool in the dirt on the roadside
The charred turret of a tank becomes something ineffable in the dirt on a roadside
Given the unrestrained power of the state, all you could think of was pathetic
of metal whizzing around in the sky to strike upon towers of metal
Your name will go to rest having scraped itself from the slate of existence
as you scream. A tyrant opens its mouth and the wind of the universe blows,
raking the skin from animals and the bark from trees. A tyrant knows one word
and that word is dissolution but in a dialect of indelible slowness, one word
that is itself crushed by the vocabulary of a snail, or a thrush, or a thyme leaf
A tyrant knows one word which causes buildings to expel their insides onto the pavement
A tyrant knows one violently boring word, of unconfronted performance anxiety
A tyrant speaks of many things but always shows the turned face of his dying mother
A tyrant says one word and God places a hand over their mouth, offering silence –
the one word a tyrant says, is the final word, the word undignified, the word;

*

She should have died another time, you will shout – for this word deserves
a place for it to resonate – “Death!” But no, a cold concrete bunker will do for you both
Oh no, tomorrow, and tomorrow and the next day, and the following
sneak past like mice, each day along the cracks until the last echoes of your memories,
being dashed across the wall by a bullet, fade. And all your yesterdays will serve
only as entertainment for fools on their path to the final dust. Please turn off the light.
Your life is just a shadow that will pass. A clown that graced our screens for a moment
walking back and forth, wobbling – we will never see you again. You are a story
made solely of gunshots and screams, maintained by idiots. Signifying nothing

V.113 Bond

There was an empire here – therefore
pain is caked into statues lost
on the sea bed. Time is so scarce –
gas dissolves, sinks in the water…

Missiles built with economies
scatter like graphs of a world-crash
and it is beautiful, foxglove
of nuclear Armageddon

The new war is begun because
certain things cannot now be stopped –
aesthetic laws demand of us
complete dedication. Agents

look into the heart of the state
and it looks like a cup of clear
water with boiled flowers – drink me,
says the label, and grow smaller.

He stares upwards, blue eyes cancelled
by the roaring fusion of things
There is no crack team coming, no
hope for a future for the old

Are we ready to lose these hopes?
Denied redemption, what remains
but death? Are we not better than
the worst of the things we have done?

V.83

I am one with all the insects
that will one day eat my body –
when I have stopped, and am resting
in a sense, when resting is gone

I am one with the plants that grow
of me, in my head, in my trunk.
I will give to the cold flowers
what they once gave to me: a hope

I am one with the air I breathe
that will burn me and dissolve me
for aeons, my skeleton rests
until it too crumbles like cake

I am one with the diseases
that will grind me down, as my mind
flares and splutters like a damp flare
in the faint waves on the dark beach

I am one with the words of things
the vast and tangled forest where
nothing can change without changing
everything. My paths will go on

I am one with the small beings
that fizz in and upon my skin
with legs and arms and carapace
made of me. I will be made free

On Death Note (Spoilers)

I

Why, shinigami – you are sending L around the damn bend
he can’t see you – realm of the gods of death.

Things are going mad – the laws of death spin in a great car crash
of contingency – unending pile-up.

How were you to know – thinking you were bright – but god-of-death-dark
sinks petty brain glow in the deep, red, eyes.

Shinigami – red apple of memory – how death will not be
caught so easily – ‘according to plan’

[x x x x x] [x x x x x] [x x x x x]
[x x x x x] [x x x x x]

J

Careful what you do – cos god is watching your every move –
but why aspire to be gods – when you are one?

I hear the bell – yes unusually – come in out of rain
don’t believe my words. Life is nonsense now.

Humans are not truth not perfect – they lie – I have no reasons
I could spell out now – I just know you are

Diabolical. I wash your feet – you who I know will end
this life – I will die but I will win – how?

I resurrect now in the sympathy, absolute, I have
with the life process which will avenge me.

K

I cry over my own funeral when – bored and walking home –
there is no device with a battery.

I imagine all tears, fallen and sounds in the dark chapel
of my grandma’s church. My grandpa cries too.

I hate death more than I hate any evil – for it underpins
all evil with means – with time, wrongs would end.

Empathy in a pathetic empty soul, glories in the
image of honour, in lieu of acting.

It’s when light kills L – he shows his weakness. True gods spurn revenge.
In Light, good’s hollow echoes, emptily.

L [You will pay for what you’ve done]

The absence of law as concept from the series of Death Note
vitiates Light’s view – Nature of justice

being an absent thing signifying, thus the complete eclipse
of morality in puritan sin.

The haute bourgeoisie reign supreme in realms of life and sharp-death;
a new god is, well, on the up and up.

This god is the class of young male and rich with supernature
on their side via writings of pure name;

a tall bureaucrat of the spirit realm – if you break his line,
the line twists around – and tantrums hang you.

Res Poetica

Can you put the lines in order?
Can you love, and save someone with that love?
Can you watch TV with a wry smile and think of witchcraft?
Can you fit paper into a typewriter and roll it slowly through
By pressing on the keys?
By stepping on the ledge?
Can you ring a twelve bell peal with your tongue?
Can you swing in the sea til your arms tire
And you grow as old as you ever will be?
Can you infatuate yourself with every mark you make?
And roll your rs slightly in the reading?
Can you hail onto a feeling
and fail to inscribe it by the slightest mistake. Fail.
Can you fail?
Can you be idolised faintly, saint, by a dying culture
And rest all too happy in a leery obsolescence, a personal implosion?
Can you die? When it is time?
And think on death and dying?
Can you ignore those who think that they know what you are doing?
Can you tear paper, really tear it?
Are you afraid of yourself sometimes, really afraid?
Can you burn, can you burn?
Can you burn?
Can you become righteous?

Then, poet, you can be.
Can you stand on the sea?
Mystic, can you stand on the sea?
Can you stand on the sea?
Can you see?

The Cathect

We, all of us, have it –
fear in the night, trembling
at the horizon of our life – waiting
to unfold from the world, unknown
until the crystal moment
when we die with surprise.

We, all of us, battle
to sleep with the knowledge:
our hearts, our stomachs, holding
this sadness, our terror – alternating
which rise and fall with tides of living:
a bird flashing in the sun, then gone.

We, all of us, have the solution: embrace it.
This one pain is certain; learn to love it.
Smile in the blackness
at this strange elevation – it won’t be long.
Join in the chorus and chant of life
for it cannot destroy us, this fact that we die.