What is the constellation of forces that makes a text dystopian? Weirder, what makes one want to create a dystopia? Consider this –
An owl is watching from a skeleton tree, as people board the buses. The vehicles are old, but not in a quaint way, and some are dented. They seem scratch built from the leftovers of an imperial past, and people pack onto them, carrying bags, battered laptops, and cracked smartphones. The convoy wakes, the sound of engines soon lost over the city scrub, but the owl doesn’t seem disturbed. Its eyes blindly stare as the trucks disappear into the outskirts, picking up speed past the towns, the haunted tanks from lost armies, and abandoned imperial outposts, and goes on into the desert. The landscape isn’t safe, and speed is essential – rising dust from the column mixes with heat and fumes, and as night falls some buses split off and pass into the mountains. Onboard one of the rattling carriages an empire-adjacent storyteller has escaped the core and dedicated his life to following one of the occupied, Omar.
“The drivers did the fifteen-to-twenty-hour trip in one shift, often with the help of hashish or amphetamines”