“Behind the teller’s choices, conscious or otherwise, lies some kind of motivation, whether to entertain, to store for posterity, or to promote a particular image of herself” – Dandelions
The Book: A family biography of Thea Lenarduzzi’s family. Family within its various semantic fields; shifting from Italy to England, the family of mother and fatherlands. Grandmother centred in the field of view, with a focus shifting backwards and forwards in time and bringing sons, fathers, daughters, mothers into view. Or is that too clear a metaphor? There are no photos in the book, though there are photographers, and this nebulises the book, makes image blend into image in my head. Each image blends with images of the ‘old’, from other, flicked through, books.
Continue reading