See all the souls anchored to you
each faint and crackling golden line
like a nylon line, but neater,
each is a life you’ve saved in here.
You look like a heaven-flower
like an aurum tree. The firework
frozen in time, on the blue black
all the still-paths, the fizzing strings.
The key to self-hood is the gap
between what we would like to be
and what is. These things are all sent
to test us, see: to build us up –
without these moments we would fall
again, into the depths of hell
which is a flat, blank, pool of white
like milk. But tasteless, vigourless.
Humans need this pain to grow full.
If there was fruit hanging from each
tree, we would never need to think,
never need a revelation.
And so, these two things connect us.
These metallic wires, our trellis.
To be saviour to each other
and see what newness can encroach
existence
Aphorisms VI
When I played Spyro as a child, its world was complete, without traces of anything, no history. No background. A world with no influences, music which was never played by anyone, a beautiful summer forest, puzzles and gems and orbs. Now, I start to think about how the soundtrack is structured and that perfect being of Spyro starts to fracture. So I stop thinking because it is not worth the value lost to question the most deep art experiences.
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Isn’t there something disingenuous about a philosopher searching for arguments, as such, to prove a point? Surely they should be just looking closer at the way things work? But pragmatically a good, graspable argument is often hard to find.
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