A Theology of Thunder

The peculiar tale of the discovery and ordering of this manuscript will be told at a more convenient time. The peculiarities of its form of recording deserve their own discussion – suffice it to say that the text is a gloss of a Hittite or eastern ancient Mediterranean language unknown until the ‘Vrontin’ carving was found in the cave in mountainous central Anatolia. It is perhaps the stub of an alternative development of a primitive religion, although the inclusion of unparsable terms makes its translation very difficult. To aid in comprehension, we have entered the most likely English counterparts, although it should be remembered that, for example, the goose noted in 15 [1] is probably not any species of goose that the reader will be familiar with, although similar behaviours have been found to exist in aggregate over many populations of goose across the world. The most difficult term to translate was found in carving 3.1, where a term for emotional brain capacity was found wanting. We have used the vastly unsatisfactory ‘limbic system’ as a stand in, waiting for a time when a translator with the right powers of sight can offer up a more fitting word.

With regards to the numbering of the individual epigrams, the translators have here grouped the terms in order of likely relation, given the variety of their array and depth in the cave. Roughly (and this will be gone into in more detail in later articles) the lower the appended figure, the deeper into the cave its hieroglyphics were found. Numbers in square brackets indicate the rough location of repeated forms of the epigram, but changed. For example the repeated refrain of epigram 2 repeats unchanged within the system of carvings several times. But the figure of 21 [1.1] is one of these altered carvings, that appears in (roughly) position 21 but also appears redacted in position 1.1, which is to say, related to carving 1 spatially, but struck out, or reversed, or written in a different hand. One of the deficiencies of our manuscript is that it does not indicate which of these separations has occurred. But we considered that even an unsatisfactory preliminary exposure to these texts was worthwhile to readers of this series.

We will of course update you with any exegesis we receive of the religious system here denoted, and of any further carvings that come to light. If you are reading this, we assume you are of high-caliber and fully suited to do the exegetical or theological work required. We look forward to receiving your suggestions.

A quick word for the working title. Originally we had intended to replace the title which casts anachronistically back western intellectual categories into the ancient past. One of our interns suggested Vrontinalia but again, that seemed unacceptable. We assume that a new title will emerge in time through academic consensus.

– The Text –

1 The white moon is rung with haze.

2 The storm has no parent but rises out of the past without ancestor.

3 The storm neither breathes, nor holds its breath, but breathes and holds silence within itself.

3.1 The storm propogates out of itself in shapes different and indifferent, in the limb, the nose, the eye, the limbic system.

4 The storm is peace and war, and fear and love echo from it.

4.1 The storm is peace – thunder brings the force of silent contrast.

4.2 The storm is war – lightning breaks the branch and water breaks the land.

4.3 Fear echoes from the dark storm but love is bright in the eyes beneath it.

[…]

5 Nothing can stop the storm, neither can it be held back from where it wishes to go.

5.1 Only by moving the land under it, or by moving upon that land can an end be found.

5.2 The storm moves on, and beneath it the land changes, or does not change.

6 The air is heavy with rain.

6.1 Quenching will bring emptiness and fill the land, and press it down.

6.2 Water is heavy as rock, and yet the storm holds it dark in the sky.

6.3 A feather is light, and yet the storm brings it to the surface of the water.

7.1 The storm has an eye but cannot see.

7.2 The storm has arms that cannot touch, and cannot help but touch.

7.3 The storm has no head, and so when it thinks, it thinks only in patterns of water.

7.4 The thoughts of water guide the sky.

8 The storm cares not where it strikes.

8.1 It will strike the same place again and again until that place is wrack, as no custom has reach over thunder.

8.2 The storm’s finger points but does not blame.

8.3 Blame is for the breeze, and the small branch that taps on the window.

[…]

10 The storm cannot be read, for the world has tried to read the storm and failed.

[…]

12 When it rains, it pours, or the pour is missed.

13 [10.1] The storm is never the same, for sameness is never present within it.

13.1 [10.2] The storm is never different, for difference is not present within it.

14 The storm has no parent but rises out of the past without ancestor.

15 [5.3] The storm rests in the sky whilst it boils in the cup.

15 [1] Every day the goose flies low under the black clouds.

16 [2] The storm is afraid of the spiders web, and of the dew on the grass, for the spider is sharp and straight, and the dew is a small jewel.

16 [1] The moon’s black belly holds within it the storm, therefore watch for the black moon if you search for the storm.

17 [5.4] The storm tears when it moves against itself.

18 The storm will strike down the highest first, but will strike the dancer before all, though it loves a dancer.

18.1 The storm cannot abide disregard.

19 The storm is sad and slow, and the storm is fast and joyful.

20 The storm will wake the sleeper.

20.1 The storm draws unto one all who hear her.

20.2 The storm will wake and draw all unto one who hear her, and all that cannot hear her, but feel her.

20.3 Lightning in time is nothing compared to the storm in time. But in mind the flash overrides beyond its realm.

21 [1.1] The storm is heralded from afar by thunder that ties time to the land.

[…] the storm without warning […] shores [illegible]

22 The storm has no parent but rises out of the past without ancestor.

V.75

When mercury was first designed,
it was as a lesson. Silver
and undulant like nothing else,
disguised as a solid jewel

Have you ever spilled it? It’s like
letting out a secret, unthought
and feeling the moral landscape
shift and set snare traps in your gut.

It’s fractal til it disappears,
like the ramifications of
any action. It rolls across
the surfaces with great interest.

It’s vapours send us mad, and fish
become mercurial in this
disregard they have of our minds.
To be quite fair, who could blame them.

In landfill sites across the world
it falls, year after year, into
the sources of our deepest fear.
Our breath stutters at its slick thought.

‘This is a tricky thing’ they said.
Listing it on the slate of things –
alongside sex, and time, and dreams,
and cave paintings, and tv

Ships and Stars III – Solar

This star really cares for you. It sends out tiny formules to subtly alter your life – waves the size of solar fields flow through the gaps between things whilst hugging each living crowd, and silent material

indiscriminately fast. It sees oceans blasted off in clouds of silver crystals – pearlesce in the bright darkness, the mystery of the cards – that is, the infinite planes, stars arrayed in contusions.

Here, a crab, a fool, a drift of the aeons, each of which with a particular twist and flick, sends spells to raise us almost unnoticeably from the darkness – but en masse they make a thrumming cascade.

If there was not this support – each star’s clean cut influence – then the world would end, fold in. And that would be it. A proof of the love of everything for everything else, is this asteroid collapse into

A World

Wavecolour

There is a beyond I want
It sits in the bay – swelling
and parches colour from skies
If it were to flatten – I
would hover in galactic
clearness as whale stock rolling
through depths of flat darkness

It is a mess of futures
I want to feel weight holding –
not pulling me down, not crass
If I were to dive, would it
help me to feel this soft truth?
All its cruxes, circulate
into my skull sockets, pour

Skycolour

In the original slow
blue-shift on crystal axes
and the cloud-plane’s flat chatter
which gulls inhabit – It strokes
our lives with rotations
so unnoticed – like a spine
holds us, cranks us all onwards

This thing, this vast thing thralls me
with the subtlety of god
I want to live as slow as
this thing is the thing itself
as uncaring, swept distance
that it unfolds me into
a greater care, the air itself

Earthcolour

When I stand in the peach-rock
plain – hear cicadas eat sound
and grind my soul off on sand
using just my feet, my flat boots
– I want to hear the pattern
of sun-dry olives falling
of mountains blowing in wind

I want to smell the dry cracks
splitting the earth and the ants
cacophonous rustling will
The sweat which drops from my brow
– will it birth a cold spring, no
it crackles into the dirt
then a sun bleached toothless skull

Suncolour

Once, the sun was in my urn
buried, half-buried in sand
half in air, then it poured out
and the corona blasted
a hole through me, I smiled clean
I fell and my body spread
in a floating slow dissolve

Light was everywhere – light swam
in oceans of light, pearlesced
in the centre, a headache
a burning, a green cactus
bee mantra, a pebbled floor
and a pale darting lizard
The gull shadow sweeps within

Starcolour

A fell day, a final drive.
Long journeys open cold doors
and out – look upwards – yes
There is the ancient cave wall
where myth crystallises – whites
and all reds and bright far dawns
brim softly with absolutes

They are eyes, palantíri
Vectors indicate some truth
– whatever, the darkness fades
from a pale light to shimmer
Orion’s heavy shoulder
It ripples, this fabric lives –
swear it was not known til now.