V.104 Cinemagoing

Seagulls plot arcs over the door
over the hot cars. Here memory
is so thick it feels like human
history has culminated

Pearl and Dean a mythologic
aspect. Kids leapfrog the bollards
like I once did, like I know my
kin will manage to do again

for the end of times has no grip
in ideas that build themselves here
Like popcorn in its cabinet –
which is hot with old emotion

Or the tickets which are paragon
of what exchange could be – given
a projectionist with a just wage.
Here shines paper, now go through here

Here is the event, the dark room
where people wait, quietly pray
and laugh, and then titles, silence
Materialism of light

And after, that feeling of loss
of what has been gone through, firstly
then the door with star shaped handles
The carpark night’s warm gradient

Watching Scraps: Magnolia

In Magnolia, abusers are forgiven their crimes by frogs falling from the sky. This means that it answers its own question about the coincidence or not of events with a resounding dollop of ‘everything is chaos’. Or it must be a sort of redemption story, having this Christian vibe. But who is redeemed? We are given reasons for some of the abusers’ behaviour, but that doesn’t constitute a redemption. Breaking down in tears is not a redemption, nor is a phone call. Dying is not a redemption, nor is admitting to wrongdoing. Redemption is the hard work that comes after the realisation of wrongdoing, and the apology.