V.88

The lake surface is dusk-white noise
Just so many cut paper gulls
and silhouette ducks – then the dark
cuts across this inner distance

I sit in the greying evening
reiterate a dead song-form
– that of assuming the stances
of nature. But nature is gone

and what remains is a dammed stream
and what remains is a lake house
– people moan and run from nothing
and wheeze. I can’t reach beyond it.

There’s only the monotone lake
whose forms insulate nothing from
nothing. An image of a false
image. I make my offering:

In the morning, a red dawn comes
and fixes the sky in crystal.
Intergalactic prison ships
revolt and institute the new

through law. But for now, the moon hangs
in soft focus, and swans are fed,
by fallen branches whose mirror
in the lake carresses the sky

V.87

The love of blue should not eclipse
the love of green – of mossy tiles
of algae bloom and ancient trees –
but then – culture does not feel pain

The sky should remain blue, and far.
So we needn’t worry to breathe,
its empire dissolved, its currents
tamed – culture does not feel pain

Whelks and shells of oysters bubble
on the beach and drown, and white flocks
Of turrets spoil the darking coast
and yet – culture does not feel pain

Cinema screens in a bleak world
play empty films to empty rooms,
sound whispered arguments about
star wars – culture does not feel pain

The stadiums of the still world
are filled with the crowds of the past
and sportsmen fight against hunger
because – culture does not feel pain

The boats upon the sea that leave
bodies scattered, should now be raised
cenotaphii to float above
white cliffs – culture does not feel pain

City Woods

The wode is a kind of dust –
it piles up around the land’s cracks
where the cleaning equipment
sighs and faints in exasperation

And up close and in it
a tangle and heap of word
with cuts and slices on the plane
where trees fall and bring light.

To walk by, paths which increase
and curve with a complex
runic twist – to read this
it would take a kind of Hecate

Bluebells raise their damp towers
where small grey flies hop to try

Calliope

Beautiful I want to receive you like the bed after becoming so tired I cannot sleep and odd things run through my feverish mind

I want to sit stunned cross legged on the covers and reach over to catalogue you mindlessly at first, but then knit all of you together with my tongue

I want to hear your voice collapse like, in the grey fog, immense waves in a storm collapse on chalk cliffs, I want to collapse

I want your eyes to become decentred from the locus of your self, allow the sun to become everything of you, scattered over you on the forest slopes in the snow

I want you to think of all of your best lovers whilst we recall them by knotting together, and it becomes hard to untangle from the past to go make coffee

I want us to forget each of us which gender we are, at the moment of climax when all there are are damp surfaces and depths and the universe achieves its end smiling, I want us to sweat

I want you to feel your dark hair rise all over your body, feel it grasp everything like snakes as I become statuesque

I want it to be like tearing the book of your life in half from that moment each time, each time you look at me and laugh or sigh and the rain pelts jealously on the window

I often think of collapsing with you on the floor as soon as we cross the threshold, with a little ceremony and incense, the censer swaying back and forth over the carpet. I often think of you

V.86

There is a gradient. The sky
moves from polluted red through pale
To black. And orange flashes as
The tractor trails wheat dust. The road

merges off the circular path,
intentions are coded in light.
Industrial farming machines
Don’t fit through the old town crossing

And crunch the box off the lamppost.
In the streams of thick logistics
molecules are reshaped en masse,
and fly into the gradient –

The dark leans over the ripped grass
like a pervert, waiting to glance
the raw dirt and turn it to dust
to fall onto the road and sink

In the torrents of the moist air
gradient down to the river.
A car is shifted by the flood
and sits at the car park entrance.

Gradient of dystopia,
this passing through the osmotic
barrier of roads, where wheat dust
bounces, falls and scatters like bone

Silence of the Gospel – after Paul Éluard (1926)

We sleep alongside red angels who show us the desert without microscopics and without the soft, sad awakenings. We sleep. A wing breaks us, escape, we have wheels older than flown feathers, lost, to explore the graveyards of slowness, the only luxury.

*

The bottle which surrounds the cloth of our wounds gives in to the slightest want. Let us take hearts, brains, the muscles of anger, let’s take the invisible flowers of pale little girls and tied children. Let us take the hand of memory, let us close our souvenir eyes, a theory of trees liberated by thieves hits us and divides us, all the fragments are good. Who will reassemble them: terror, suffering or disgust?

*

Sleep, my brothers. This inexplicable chapter has become incomprehensible. Giants pass by, breathing terrible moans, giant’s moans, moans like the dawn wants to push through them, the dawn which can’t complain anymore, after all this time, my brothers, after all this time.

V.83

I am one with all the insects
that will one day eat my body
When I have stopped, and am resting
In a sense, when resting is gone

I am one with the plants that grow
of me, in my head, in my trunk
I will give to the cold flowers
what they once gave to me: a hope

I am one with the air I breathe
that will burn me and dissolve me
for aeons, my skeleton rests
until it too crumbles like cake

I am one with the diseases
that will grind me down, as my mind
flares and splutters like a damp flare
in the faint waves on the dark beach

I am one with the words of things
the vast and tangled forest where
nothing can change without changing
everything. My paths will go on

I am one with the small beings
that fizz in and upon my skin
with legs and arms and carapace
made of me. I will be made free

Duck

Does any animal float as well?
Resting on this peel of thickness
pedalling slowly, and honking

Duck taught the angels
how to fly – see them now
by the barrage, watching for tips –

just put your face in your armpit
and hang there, careless –
that is how to go about it.

Lessons such as that.
And how to remain calm
in the face of such rain

After duck stands up, wrings out his coat
he waves to the angels, who nod abashed
and calmly floats off into the sky

V. 82

“All this usury really fucks
me up” he said to the door guard.
“It makes me itch? You understand?
“When I was in that cage, oh yeah

“I could feel it crawling on me
like ideograms.” The guard smiles.
Unstuck in time, he has one task.
He’s met a million like this –

Bad money driving out the good.
“Hey there fella, could you get me
water?” How easy to just leave.
But the aesthetic demanded

A more apposite fate. The guy
held the glass and slurped, with a grin.
“I can’t believe I did it, wow
“I’m finally getting out. Heh

“I really fooled those old suckers
“worthless cunts who couldn’t read me
“given half a year and the books
“I cut up.” You’re very strange, Pound

said the guard, later, down the path.
When the poet tried to salute,
the visitor grasped his daft hand
and firmly held it down. Justice.

*

The apparition of these blood spots on the path:
Petals on a wet, black, bough.