Hello Sadness 2020 – Part 3-1

Goodbye sadness
Hello Sadness
You are engraved in the lines on the ceiling
You are engraved in the eyes that I love
You are not quite poverty
Because the poorest lips condemn you
With a smile
Hello Sadness
Love of kindly bodies
Power of love
Whose politeness surges
Like a bodiless monster
Disappointed head
Sadness beautiful face

P. Eluard (The Immediate Life)

In the morning there is a veil of redness draped across my eyes. I lie enjoying the peace which comes after waking in a new room, when I don’t know where or who I am.

The sheets are heavy. I push them off. As I dress, I think back to the night before. I dreamed that I was a whale, and I kept on trying to find someone I knew but they kept on being the wrong kind of whale for my purposes. Then I got lost in the deep and saw a gigantic, ancient hammerhead shark swim slowly over me, and it was so terrifying that I had to get up and stand in the darkness until I calmed down. That’s not like me.

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Hello Sadness 2020 – Part 2-12

The burial took place in Paris under a beautiful sun, with a curious crowd. So much black. My dad and me held hands with Anne’s old folks. I watched them with curiosity – they would probably come to have tea with us once a year. They looked sadly at my dad – Webb must have told them about the proposal. When I came to the exit, I saw Salil trying to find me. I avoided him. I felt bitterness toward him and it was completely uncalled for… I can’t justify it. The people around us hated how pointless the accident had been. And because I still wasn’t sure whether it was accidental, that made me feel a bit better.

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Hello Sadness 2020 – Part 2-11

Content Warning

We didn’t meet again until dinner that evening, both being so anxious about that sudden confrontation. I really wasn’t hungry, and he wasn’t either. We needed Anne to come back. I couldn’t stand to think of the face she’d had on before she left, or her grief and how it was my fault. I’d forgotten my patient schemes and careful planning. I felt completely uncentered, dog without a lead and collar, and I saw the same feeling in my dad’s face.

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Hello Sadness 2020 – Part 2-10

It’s funny how destiny enjoys choosing faces that are unworthy or average as its avatars. That summer it chose Elsa’s. A really beautiful face, if you like, and so attractive. She also had an incredible laugh, expressive and complete. You have to be a bit dull to have a laugh like that.

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Hello Sadness 2020 – Part 2-9

I’ve said so much about Anne and myself, and barely mentioned dad. It’s not that his part wasn’t the most important in this story, not that I don’t think he’s interesting… I’ve never loved anyone like I loved him, and of all the emotions which drove me, back then, those I felt for him were the most stable, the deepest, the ones I held onto the most. I know him too well to speak freely, it feels too close… But it’s him who I have to spend the most time explaining, to make him seem acceptable.

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Hello Sadness 2020 – Part 2-8

The next day I woke up and felt fine, barely even tired, though my neck was sore. I must have pushed things a bit far. Like every morning, my bed was bathed in sunlight. I opened my curtains, threw off my pyjama top and offered my bare back to the sun. I rested my cheek on my folded arms, and looked at the thick weave of the canvas curtain and, off to one side, a fly on the tiles, cleaning its eyes. The sun was soft and hot, it felt like it was massaging my bones under my skin, taking special care to heat me up again. I decided I would spend the morning like that and not move at all.

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The Flood

The Rain: streaming with direct argument through the air.
The Sea: calm as children swam with their dogs at the whispering surface.
The First Doubts: felt by those who stood by the rivers as they rose.
Torrents: under arches, creaking bridges.
The Water: rising, day on day – perhaps we had hit a galactic cloud of ice, which melted through the plum atmosphere. But it was so relaxing that the scientists lay down, or swam with their dogs in the lakes which were overcoming the cities on the plain.
God: when contacted, denied involvement.
The Priests: unworried, they lay in the belfry and felt the water lap their ears.
The Spire: up out of the water, the church became a rock in the sea, which pierced the bottom of a boat that had been constructed for fun.
The Boat Crew: relaxed. Went into the water slowly and quietly.
Soon: the earth was blue and yet the rain didn’t stop. It poured between the stars in an unknown mechanism, doubtless to do with the meanings imbued in some partial beginning when pure energy thundered out of the centre of things.
Soon: water filled the galaxy, and then the spaces between the galaxies.
Underwater Stars: booming in the depths.
Comets: moving very slowly, leaving trails in the intergalactic ice as it spread in the manner of mould with a dispersed origin.
The Water: perhaps streaming from black holes, connected to another, drowning, diluvian plane.
The Water: glub.
The Water: glub.
The Water: glub.

Grange-over-sands

The quicksand and sea of mud
and the sea itself, running
with cold skies as long and deep.
Oaks step out from cobbled banks
with the train’s rumble stirring
the café in the pale house –
I cannot escape from this

barbaric lyric’s enclave –
with the way that the world goes on
how can I still find this peace?
Maybe I should have chosen
to be the gull, the shaggy
dog in the rail underpass
whose soft songs betray no-one

Metaphysick for the Tyrant

The picture shows the bottom of an ocean rift. Small lumps of mud or sand rest in focus in the centre and the rest is darkness.

This you?

*

Nihil of the world, ash and vibration in puddles of ash – your obelisks crushed
and sprinkled onto the beach for the sand to grasp and wipe.
Dog tags from the dead laid at your door will outlast you, scab of the world,
that architectonic of your emptiness, that emptiness of your nothingness, only delays
the time when the void will have its way with you in the way it will have all things –
your propaganda fails as it attempts to invent a face for a man who has no face.
And had you never existed, joy may still have lacked
but at least we wouldn’t have been forced to cope with your voice.
You are the white noise of the state, and entirely unnovel. Here is an overused phrase:
Forces you commanded lie sprawled by waves that liquefied their brains, and you
call meetings in vast halls and have others take the photos. Can you feel the plot?
All it would take for the world to forget you would be one shot from behind you
which would pass through the front of the skull and cause such blooms of flowers
to sprout immediately on the mahogany table perhaps inherited from a ship –
and from that same blood beautiful crystals would rise to melt the empire.
Those history enshrines, their people loved and white crabs tend to a vent in the blackness

*

The war stops. There is nothing else it can do when the soldiers have melted
Panting, you swim back and forth in a reactor pool, treading water –
glowing blue, you rest your collapsing ruins in the ruined body of the plant –
the sound of swan lake echoing through the corridors, over old tannoys –
over the sound of dripping water you breathe your last, while fireworks rear outside
as insects and raised dust whirl like a cloud of starlings above the forest clearing
Let us hold ourselves carefully and cause no vessels to rupture in innocent heads –
the void crackling across the years like glass on a car park floor, and more –
the sound of laughter like a morning chorus of birds being let out of a basement
There is much to think of in the slow walk in the dark back to the old bus
Even the smallest of our days like popcorn kernels that turn in the microwave
and conjure gunfire, or rubble falling from the roof until inside the pack a bomb
goes off and takes out the whole kitchen, leaving a cat yeowling in the rubble
What you destroy in emotion in the concrete city, all of it outweighs you
If even a small blackbird were caught in the crossfire, that would condemn you

*

May peace envelop you and absolve you and wipe you from the world, as quick
as bumping your head on the mantle as you stand up from the fireplace
causing a statue to fall in the desert and the wind to call – ozymandias –
Abel’s missile launcher smoking as Cain’s tank plinks cool in the dirt on the roadside
The charred turret of a tank becomes something ineffable in the dirt on a roadside
Given the unrestrained power of the state, all you could think of was pathetic
of metal whizzing around in the sky to strike upon towers of metal
Your name will go to rest having scraped itself from the slate of existence
as you scream. A tyrant opens its mouth and the wind of the universe blows,
raking the skin from animals and the bark from trees. A tyrant knows one word
and that word is dissolution but in a dialect of indelible slowness, one word
that is itself crushed by the vocabulary of a snail, or a thrush, or a thyme leaf
A tyrant knows one word which causes buildings to expel their insides onto the pavement
A tyrant knows one violently boring word, of unconfronted performance anxiety
A tyrant speaks of many things but always shows the turned face of his dying mother
A tyrant says one word and God places a hand over their mouth, offering silence –
the one word a tyrant says, is the final word, the word undignified, the word;

*

She should have died another time, you will shout – for this word deserves
a place for it to resonate – “Death!” But no, a cold concrete bunker will do for you both
Oh no, tomorrow, and tomorrow and the next day, and the following
sneak past like mice, each day along the cracks until the last echoes of your memories,
being dashed across the wall by a bullet, fade. And all your yesterdays will serve
only as entertainment for fools on their path to the final dust. Please turn off the light.
Your life is just a shadow that will pass. A clown that graced our screens for a moment
walking back and forth, wobbling – we will never see you again. You are a story
made solely of gunshots and screams, maintained by idiots. Signifying nothing

Reading: The Naked Don’t Fear the Water by Matthieu Aikins

What is the constellation of forces that makes a text dystopian? Weirder, what makes one want to create a dystopia? Consider this –

An owl is watching from a skeleton tree, as people board the buses. The vehicles are old, but not in a quaint way, and some are dented. They seem scratch built from the leftovers of an imperial past, and people pack onto them, carrying bags, battered laptops, and cracked smartphones. The convoy wakes, the sound of engines soon lost over the city scrub, but the owl doesn’t seem disturbed. Its eyes blindly stare as the trucks disappear into the outskirts, picking up speed past the towns, the haunted tanks from lost armies, and abandoned imperial outposts, and goes on into the desert. The landscape isn’t safe, and speed is essential – rising dust from the column mixes with heat and fumes, and as night falls some buses split off and pass into the mountains. Onboard one of the rattling carriages an empire-adjacent storyteller has escaped the core and dedicated his life to following one of the occupied, Omar.

“The drivers did the fifteen-to-twenty-hour trip in one shift, often with the help of hashish or amphetamines”

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