V.102 Apophenic

The path is overgrown and I
am lost – the way ahead is full
of ferns and low branches and moist
air. The sun flies off the grey lake

to dance in the trees. I am lost
which cause can be drawn from these facts
and the quality of sunlight.
It’s changed since I was young. Not me

I remain the same through all the change
my beard lost, my hair cut, my strength
curtailed. My gender uncertain
my sex with those others behind

the red curtain, on the neat tiles
means nothing when it comes to me
– the clean statue hidden inside
the flesh like a glacier mint…

As the leaves from last year engrain
and worms eat them, this certainty
grows – nothing causes anything
anymore, the cause sails silent

among air packed with miracle
More can be said but the dawning
of meaning on the word has gone
there is no duty to call it

V.81

Sunlight pours onto the woods like
a proprietary logo,
and my movement changes, I am
now able to jump slow and high.

The trees are so crisp, they are cut
from the woods and become assets –
a simple tap and hold of A,
and the wood, leaves, something would be

mine. How well the code works, how well
the random terrain generates –
seeding nettles and cow parsley
over the seasonal bluebells.

How smoothly the particles fall,
how elegant the light engine,
how quirky are the NPCs –
here comes one now, out on a jog –

How quaint! I begin an event,
someone talks and I miss the prompt –
failing the conversation. I
activate my door and head in.

Congratulations! You have found
poplars today. The next level
begins tomorrow. One percent
completion remains an odd myth

Three Poems after Amelia Humber

Goss

After Amelia Humber

The tongue of the cosmos mouth
drags its mist along the pond –
many eyes of the coral
or barnacle prayers impact
with a soft white thud and cloud
on the world’s hill – and deeper
the deep ink behind things seeps.

I stand in the softened copse
of the shore – rain drenched but warm
unnamed white flowers blow here
amongst the heather – their heads
bob and jump in the quantum
breeze – where I once might have thought
I now dwell with the land’s power

*

Coopers

After Amelia Humber

Strobe lights over the shallows.
The marsh flows, hardly, but still
it flows here with the thin grass
so thin and black, it’s like hair.
A magnesium surface
and water, as the flock-spheres
make their debris way through air.
In the mist there are things now
things you never wanted but
were offered for your viewing –
a procession of faceless
saints, a small black sheep hovers
legless, only seen in dark,
an entirely different sky

*

Point

After Amelia Humber

With a faint humming, negate
the sky as an unreached space
(a space we can hardly grasp)
and split open a vault – to
the dark above the grave pit
ridden with frost and snowlit
pourings – through this chasm tear
see the world as it could be
bare of all ground, all solids
floating in nothingness – then
between abyss and abyss
as it sees you – iris
vaster even than god’s eye
and the pupil that screams ‘live’

*

Painting credit to https://www.ameliahumber.com/

Dark Dogs in the Morning

The darkness fell onto me like a fever
stirring – stripping and dressing in the cold
I picked up my phone, and wiped breath from it.
Weak coffee. I left the house, slid doors,
the dogs pressed against me – flickering
buzzing, sparking – something was up
but I didn’t know what.
            I set off

seeing the shoals of mist swim
in morning dark where day is forgotten
and the choral synthesiser drone of stars
shook me, made me shiver – I drowned it out
with my headphones. Walked out
with my pathetic torch across
the wood and farm-land in the mould black
morning – marvelling at the absolute lack
of magic, there in the dust-clump wood.
I glanced around me, saw nothing
thought ‘but wolves, but wild boars’
I smiled, took a fast pace down
the bend to the flood-plain
where I imagine the flesh-fade
of dawn began to apply itself to night

***

Later on return – I left tracks
in the forest frost grass from the mansion
to the servant’s quarter –
my breath was even more eager than I
to get to the house, it ran ahead
but stopped suddenly – a dead deer
half, half-eaten, eyes open
as the ground is open to the falling
sat there, on the cold patio.
Poachers only want the hind-half
I later learned – I felt the cold fur
brush past, long hair of the black dog –
thought; you were excited for your find
I left you behind. I’m sorry.
She took the skull between her teeth
and cracked it. From the cavity,
the night came flowing back…

All the Sky’s a Stage and all the Clouds are Merely Players.

You walk down the unnoticeable incline into the city. You look to the skies where the weather systems rehearse a performance they will give you
next time. You see the bowl of the heavens reflect the skull’s roundness – and all car sounds in its persistence. You love this. It is, you think, the mark of a walk’s greatness to array contingency in its random archways. You sigh. And walk on through the headache as the white grey blues yellow